Noorima Rehan is a 17-year-old aspiring Ismaili vocalist from Ghulkin, Gojal, Hunza. Located approximately 142km from Gilgit, Ghulkin is situated on the west of Hunza in the Karakorum, surrounded by glaciers and streams. Noorima's love for music runs deep within her being, and she finds herself singing in every moment of her life. Her vocal skills have propelled her to new heights. Most notably, she recently represented Pakistan during King Charles III's Coronation Concert in London.
Hidden among the bustling streets of South Mumbai and its sprawling skyline lies a haven of solace and peace: Hasanabad. Often described as ‘Mumbai’s Taj Mahal’, the monument is a mausoleum or dargah: the final resting place of Imam Hasan Ali Shah, the 46th Imam of the Shia Ismaili Muslims.
I am silent in anticipation, as adrenaline rushes through me as a music lover. I delight at the opportunity of listening to original compositions. It is for this reason that when the song Mawla Mera Ishq Tu is shared with me, I eagerly click on the link to experience the musical journey expressed through this beautiful composition.
Art has often played a powerful role in shaping society’s consciousness, especially in times of crisis. Some of the most touching moments during the early days of the pandemic were people singing or playing music for their neighbours, drawing their communities out on balconies and rooftops to share the moment. Ismaili artists from various countries share their stories of how Covid-19 impacted them and how they adapted to the new normal.
At the opening of the Aga Khan Museum in Toronto, Canada, Prince Amyn emphasized the importance of art in our lives by noting that “art and culture can have a profound impact in healing misunderstanding and in fostering trust even across great divides.” He made this speech in 2014, although the essence of his words remains timeless.
Art historians and enthusiasts often recognize the 10th through 13th centuries as a period that marked an increase in the usage of symmetrical, geometric patterns in the Muslim world. Most likely aided by Muslim mathematicians, artists and artisans produced a large variety of designs. Many of these geometric models developed interpretations of ornament that embody metaphysical intent.
The Ismaili is pleased to publish an interview with Shiraz Allibhai, Deputy Director of the Aga Khan Trust for Culture. As part of a series of conversations with key figures, Mr Allibhai discusses the positive impact of culture and its development potential, and humanity’s shared responsibility to preserve heritage.
Amidst the magnificence of the Al-Hajar mountains, the lush fruit-scented plantations of Misfat Al Abriyeen, and the abandoned settlements of Harat al-Bilad, 15 young adults from the United Arab Emirates and the surrounding region participated in an international excursion to Muscat, Oman last year.
The third issue of AT HOME, a new digital magazine presenting the programmes and projects of the Aga Khan Trust for Culture (AKTC). This issue will shine a spotlight on the Aga Khan Award for Architecture and also feature the Aga Khan Music Programme, the Aga Khan Historic Cities Programme, Aga Khan Museum, and a presentation on the notion of culture and pluralism.
The second issue of AT HOME, a new digital magazine presenting the programmes and projects of the Aga Khan Trust for Culture (AKTC).
The inaugural issue of AT HOME, a new digital magazine presenting the programmes and projects of the Aga Khan Trust for Culture (AKTC).
Navroz Mubarak from the global Jamat! While we are practicing physical distancing, remain connected to each other and celebrate the new year together with these video messages from all over the world.