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the.ismaili
The.ismaili > node
  • The fountain in the chahar-bagh.

    The fountain in the chahar-bagh.

    The fountain in the chahar-bagh.

  • A view into the Centre from the outside.

    A view into the Centre from the outside.

    A view into the Centre from the outside.

  • A bird’s eye view of the Ismaili Centre, Lisbon.

    A bird’s eye view of the Ismaili Centre, Lisbon.

    A bird’s eye view of the Ismaili Centre, Lisbon.

  • Cool water courses through the courtyard at dusk.

    Cool water courses through the courtyard at dusk.

    Cool water courses through the courtyard at dusk.

  • The Social Hall at the Ismaili Centre, Lisbon.

    The Social Hall at the Ismaili Centre, Lisbon.

    The Social Hall at the Ismaili Centre, Lisbon.

  • Tables are set in the Multipurpose Hall at the Ismaili Centre, Lisbon.

    Tables are set in the Multipurpose Hall at the Ismaili Centre, Lisbon.

    Tables are set in the Multipurpose Hall at the Ismaili Centre, Lisbon.

  • The inner space — looking up at the domes from within.

    The inner space — looking up at the domes from within.

    The inner space — looking up at the domes from within.

  • The calligraphic wall is lit and visible through the structured façade.

    The calligraphic wall is lit and visible through the structured façade.

    The calligraphic wall is lit and visible through the structured façade.

  • Calligraphy, dappled by the motif.

    Calligraphy, dappled by the motif.

    Calligraphy, dappled by the motif.

  • Light passes through opalescent glass onto calligraphic stone.

    Light passes through opalescent glass onto calligraphic stone.

    Light passes through opalescent glass onto calligraphic stone.

  • Lanterns, descending, in the Ismaili Centre, Lisbon.

    Lanterns, descending, in the Ismaili Centre, Lisbon.

    Lanterns, descending, in the Ismaili Centre, Lisbon.

  • A woman walks along a watercourse in one of the flourishing inner courtyards.

    A woman walks along a watercourse in one of the flourishing inner courtyards.

    A woman walks along a watercourse in one of the flourishing inner courtyards.

  • The intricacy of the façade glimpsed in the motif detail.

    The intricacy of the façade glimpsed in the motif detail.

    The intricacy of the façade glimpsed in the motif detail.

  • Detail of the caligraphic stone.

    Detail of the caligraphic stone.

    Detail of the caligraphic stone.

  • A courtyard fountain framed in granite lattice.

    A courtyard fountain framed in granite lattice.

    A courtyard fountain framed in granite lattice.

  • The serene trickle of a fountain is set amidst a playful dance of light and colour.

    The serene trickle of a fountain is set amidst a playful dance of light and colour.

    The serene trickle of a fountain is set amidst a playful dance of light and colour.

  • Textures and patterns.

    Textures and patterns.

    Textures and patterns.

  • All together, One: The walls recite the 99 attributes of Allah.

    All together, One: The walls recite the 99 attributes of Allah.

    All together, One: The walls recite the 99 attributes of Allah.

  • A creative encounter between light, structure and geometry.

    A creative encounter between light, structure and geometry.

    A creative encounter between light, structure and geometry.

  • The fountain in the chahar-bagh.
  • A view into the Centre from the outside.
  • A bird’s eye view of the Ismaili Centre, Lisbon.
  • Cool water courses through the courtyard at dusk.
  • The Social Hall at the Ismaili Centre, Lisbon.
  • Tables are set in the Multipurpose Hall at the Ismaili Centre, Lisbon.
  • The inner space — looking up at the domes from within.
  • The calligraphic wall is lit and visible through the structured façade.
  • Calligraphy, dappled by the motif.
  • Light passes through opalescent glass onto calligraphic stone.
  • Lanterns, descending, in the Ismaili Centre, Lisbon.
  • A woman walks along a watercourse in one of the flourishing inner courtyards.
  • The intricacy of the façade glimpsed in the motif detail.
  • Detail of the caligraphic stone.
  • A courtyard fountain framed in granite lattice.
  • The serene trickle of a fountain is set amidst a playful dance of light and colour.
  • Textures and patterns.
  • All together, One: The walls recite the 99 attributes of Allah.
  • A creative encounter between light, structure and geometry.
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