In an exclusive interview for The Ismaili TV, Farrokh Derakhshani recalls the Award’s history and explains its contribution to the fields of architecture, urban planning, and design.

Forty years after Farrokh Derakhshani signed up for a five-month contract with AKDN, he is still here. For the past 16 years, he has served as the Director of the Aga Khan Award for Architecture. With the Award in its 45th year, he reflects on how it has changed attitudes to architecture.

“Everything can be created, but you have to have the right vision and know where you’re going,” he says. “His Highness the Aga Khan has always been looking beyond what he or others were supposed to do. He’s there for the future.”

“Architecture is one of the very few disciplines that touches all levels of society: it has an impact on your daily life,” adds Farrokh. “If quality of life is only going to be health, education, the monetary level, that is not enough. If you don't have the culture, it will not bind all these things together.” 

For Farrokh, the most important projects are those, particularly in poor areas, where people of different ethnicities and faiths are brought together. This resonates with the importance Mawlana Hazar Imam places on pluralism. “Architecture means doing something for society,” Farrokh says. “That's the most important thing.”

He recalls the early days of the Award, which was established by Hazar Imam in 1977. “Let me put it in a historic perspective. Today young people think that you can immediately jump on something and have all the information about it at any moment. Forty-five years ago, that was not the case. Someone in Morocco had no idea what was happening in Indonesia. So one of the main roles of the Award was to tell people that someone else has found an intelligent solution that you can learn from.”

In the days of modernism, architecture was viewed in terms of buildings. The Award widened perceptions of the discipline. “We had projects like slum upgrading, engineering, water towers in Kuwait for example, restoration projects. Now you talk about the social aspects of architecture, how it has an impact on society. It was the Aga Khan Award for Architecture that was pointing those out.”

Meanwhile the accompanying series of seminars in countries such as Turkey, Morocco and China were preserved in publications. Along with the Award books, they were sent to schools of architecture around the world, offering a source of knowledge in a field that lacked information about architecture in a Muslim context.

Now in its 15th cycle, the Award remains unique. “First of all, we do not give an award to a person. No project is a product of one person. It's always the client, the builders, the architects, the engineers. Second, we do thorough research on projects and we're giving an award to a project which is completed and in use. We have to go and check it out.”

How can architecture meet the challenges of the future? “I’m not a fortune teller, but I believe in people’s capacity. I learned a lot of that from His Highness, because I could see that in different places, different situations, how he gave them space to come up with innovations, helping them to bring up the capacity which was hidden once, within them. That’s why I believe that in the future, a lot of problems that we think are the biggest problems today will be solved.”

For many years, Farrokh has observed with interest the development of the Ismaili community under the guidance of Mawlana Hazar Imam. 

“He’s helped the Jamat to become educated, which has elevated all of them - millions in different parts of the world at the same time. He has encouraged them to become better by learning, by doing volunteer work, by giving time,” he says. 

“I don’t think any other leader in the world has been able to leave such a legacy.” 

The full interview is now available to watch on The Ismaili TV on demand.