TheIsmaili > Family & Wellbeing > Family & Wellbeing
Fatimid women owned land, property, jewelry, and textiles, one of the most prized commodities of the period. Made in Egypt in the 11th century, this lustre-painted dish depicts a richly-attired female figure holding a cup. The vegetal scroll-like patterns of her sleeves are mirrored in the dish’s overall decoration.

On the occasion of International Women’s Day, 8 March 2019, we celebrate the achievements of notable Muslim women - historical and contemporary - who have inspired and continue to inspire people of all faiths, backgrounds, and fields of endeavour.

The Ismaili Centre, London, in collaboration with the Institute of Ismaili Studies will host a conversation with Dr Shainool Jiwa, the author, with Mahmood Ahmed about her new publication. The event is due to begin at 8:15pm BST on Thursday 26 April and will be webcast live at http://the.ismaili/live

Curator, Dr. Assadullah Souren Melikian-Chirvani, shows an artefact to Prince Amyn, AKDN Resident Representative to Canada Dr. Mahmoud Eboo, Aga Khan Trust for Culture General Manager Luis Monreal, and Ismaili Council for Canada President Malik Talib.

The World of the Fatimids, the newest exhibition at the Aga Khan Museum, launched on 12 March in Toronto. Prince Amyn delivered the keynote address for the opening of the exhibition, which explores the Fatimid period through artefacts and objects from the 10th and 11th centuries.

With 40 days until the inauguration of Mawlana Hazar Imam’s Diamond Jubilee, TheIsmaili is pleased to unveil a musical tribute composed by Salim – Sulaiman and performed by Ismaili artists from around the world.

With 40 days until the inauguration of Mawlana Hazar Imam’s Diamond Jubilee, TheIsmaili is pleased to unveil a musical tribute composed by Salim – Sulaiman and performed by Ismaili artists from around the world. The video rendition of the song “honours 60 years of Mawlana Hazar Imam’s glorious Imamat,” says Sulaiman Merchant, “and offers an expression of deep gratitude through the musical voices of Ismaili artists from all corners of the world.” For the Merchant brothers, the song is also part of their personal commitment to nurture a living tradition of devotional music that appeals to a new generation of Ismaili youth.

Topics